By Craig Erpelding
Cinematographer Dan Parsons recently shot five shorts for the Global Short Film Network (GSFN): If God Had Wanted Us to Fly He Would Have Given Us Wings,...
Better Production Ideas By Dan Ochiva
It's that time of the year again when companies begin flooding the airwaves with items designed to draw out your credit card for holiday spending. While...
By Tony LaPolito, Vice President of Marketing, Signiant
At media and entertainment businesses, I often find myself walking through hallways and squeezing past boxes of blank video tapes. And when I do this,...
By Eric Melin
The Internet Movie Database (imdb.com) has a goal: to one day offer its users every movie and TV show in the database in its entirety. In addition to...
By Cynthia Wisehart
Cynthia Wisehart on SMPTE’s move to standardize the mastering and packaging formats for content distributed over broadband networks....
Avid Advanced Editing Tips & Techniques Nov. 10-12 and Nov. 17-19 Hollywood, $1,195 edu.moviola.com Designed for experienced Avid Media Composer, Xpress...
Dream Job: Capturing Change By Cynthia Wisehart
Luke Eberl rolled his Panasonic AG-DVX100 as Denver police shot pepper-spray bullets into a crowd of street protestors calling themselves Recreate '68....
Filmic Animation By Ellen Wolff
One of the most iconic movie images of 2008 shows a rusty robot dwarfed by mountains of trash receding into distant haze. The image captures the plight...
Clint's Collaborators By Michael Goldman
The remarkably efficient Clint Eastwood filmmaking machine keeps marching along with, at press time, three feature films in various states of progress....
Review: Panasonic AJ-HPX2700 By Barry Braverman
Few professional broadcast cameras have achieved the vaulted status and battle-hardened reputation of the original Panasonic Varicam. Introduced at NAB...
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