By Barry Braverman
Professional shooters, especially ENG shooters, know the syndrome well: each day we generate new footage that must be offloaded to a hard drive or server, ...
Shoot Review — Panasonic AG-DVC60 By Steve Mullen
Every month I get emails from folks asking which camcorders I would recommend they buy. Often these requests are from educational institutions. These...
By Tom Patrick McAuliffe
We tried. The script went out a month before the shoot and the talent said they would memorize it. But once on the set for the shoot, it was clear that...
Shoot Review — Velbon Videomate 500 By Tom Patrick McAuliffe
One of the main things that differentiates a mediocre video from a professional one is the steadiness of the shots. The smoothness of the pans and the...
Shoot Review — Canon XL2 By Barry Braverman
The Canon XL2 is the long-awaited successor to the legendary XL1 and XL1S, the two cameras that brought functionality and respect to DV cinematography...
From Camera to Edit Suite By Steve Mullen
Until recently, if you shot HD you generally used either the HDCAM or DVCPRO HD formats. Then you used a post suite that had the appropriate playback...
By Michael Goldman
Prior to debuting its film-style, portable digital HD imaging camera called Genesis (built around Sony technology but available exclusively through Panavision)...
By Tom Patrick McAuliffe
When I was growing up, the TV shows I remember most were about oceans and underwater adventure, such as Sea Hunt and Voyage to the Bottom of the Sea......
Exclusive: The Lucas POV 
By Michael Goldman
Even though he has received more than a few Lifetime Achievement awards, George Lucas isn't ready to view his career...
By Barry Braverman
By every measure, the Panasonic DVX100 has brought a new, hitherto unseen level of performance to a camcorder in the $3,500 price range. Now, with the...
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