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Shoot Review — Sony PDW-530 XDCAM 

By Barry Braverman

Professional shooters, especially ENG shooters, know the syndrome well: each day we generate new footage that must be offloaded to a hard drive or server, ...

Shoot Review — Panasonic AG-DVC60 

By Steve Mullen

Every month I get emails from folks asking which camcorders I would recommend they buy. Often these requests are from educational institutions. These...

Shoot Review — Telescript FPS-150-F 

By Tom Patrick McAuliffe

We tried. The script went out a month before the shoot and the talent said they would memorize it. But once on the set for the shoot, it was clear that...

Shoot Review — Velbon Videomate 500 

By Tom Patrick McAuliffe

One of the main things that differentiates a mediocre video from a professional one is the steadiness of the shots. The smoothness of the pans and the...

Shoot Review — Canon XL2 

By Barry Braverman

The Canon XL2 is the long-awaited successor to the legendary XL1 and XL1S, the two cameras that brought functionality and respect to DV cinematography...

From Camera to Edit Suite 

By Steve Mullen

Until recently, if you shot HD you generally used either the HDCAM or DVCPRO HD formats. Then you used a post suite that had the appropriate playback...

Genesis Test 

By Michael Goldman

Prior to debuting its film-style, portable digital HD imaging camera called Genesis (built around Sony technology but available exclusively through Panavision)...

Shoot Review — Ikelite Underwater Housing 

By Tom Patrick McAuliffe

When I was growing up, the TV shows I remember most were about oceans and underwater adventure, such as Sea Hunt and Voyage to the Bottom of the Sea......

Exclusive: The Lucas POV  

By Michael Goldman

Even though he has received more than a few Lifetime Achievement awards, George Lucas isn't ready to view his career...

Shoot Review—Panasonic AG-DVX100A 

By Barry Braverman

By every measure, the Panasonic DVX100 has brought a new, hitherto unseen level of performance to a camcorder in the $3,500 price range. Now, with the...

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