By Steve Mullen
It is a decades-old dream of many filmmakers and videographers to use a camcorder to shoot progressive (24p or 25p), high-definition video that can be...
D.W. Leitner
By Bill Miller
I'm a videographer. I've made a decent living at it for more years than I'd like to admit. And as the years go by, the job gets more and more confusing....
Future Workflow, Today By Barry Braverman
It's unusual for shooters and other mere mortals to glimpse the future with such clarity and insight. Over the last 30 years, many of us prescient industry professionals could only recognize the great leaps forward after the fact...
Shaking Things Up By Benjamin Semanoff
On the hottest day of Summer 2004, I found myself at the bottom of the Philadelphia Museum of Art steps wielding a Steadicam. The unrelenting sun reflected back at me from the light-colored stone of those famous steps as I squinted up at my mentor, Steadicam inventor...
By Tom Patrick McAuliffe
A company from California called ItWorks makes a USB device called Cailbug that turns your computer into a broadcast signal test tool. Formerly Innovative...
Shoot Review By Steve Mullen
The HVR-Z1, sold by Sony's Broadcast & Professional Systems division, is fundamentally the same as the HDR-FX1, sold by the consumer division. However,...
By Barry Braverman
Professional shooters, especially ENG shooters, know the syndrome well: each day we generate new footage that must be offloaded to a hard drive or server, ...
By Barry Braverman
Take one look around and witness an explosion of consumer and prosumer DV cameras, and even broadcast cameras like Sony's XDCAM, with IEEE 1394/iLink...
High-Resolution DV By Steve Mullen
The Sony HVR-Z1 and HDR-FX1 might be the most elegant camcorders ever designed. Other than the XLR connectors on the Z1, sold by the Broadcast & Professional...
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| DCP November 2008 |
DCP October 2008 |
Millimeter Sept/Oct 2008 |
DCP September 2008 |
DCP August 2008 |
Millimeter Jul/Aug 2008 |
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