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Junkyard Filmmaking 

By Michael Goldman

Director Michel Gondry certainly maintained his reputation for offbeat filmmaking with Be Kind, Rewind, which recently debuted at the Sundance Film Festival...

First Look: Sony HVR Series 

By D.W. Leitner

I typically do not describe new products by the batch, but what choice am I given when Sony simultaneously introduces three HDV camcorders and a deck, each with unprecedented attributes or capabilities? As if it were April in Las Vegas instead of November in New York...

Red Hot Chili Peppers’ Untitled Documentary Shot with AG-HVX200 

Renowned for their explosive theatricality, the group chose Director/DP David Hausen to produce “making of” documentaries of three music videos from the album, all shot with Panasonic AG-HVX200 P2 HD camcorders....

Vanguard Awards 2007 

By Trevor Boyer

Every year, as the days get shorter, Digital Content Producer's editors and contributors get together and compose a list of the year's most groundbreaking new products for video-production professionals...

Mark In  

What if you could color control your video project to get just about any result you desire — even while pulling off specialized work such as tracking, which would allow you to replace parts of an image with something entirely different just like a Hollywood feature...

Ron Fortunato Discusses Using Panavision Genesis on Before the Devil Knows You’re Dead 

Director Sidney Lumet shot his new movie Before the Devil Knows You’re Dead in high definition, as he had several projects in recent years, dating back to his HD debut in 2001...

Mammoth HD Seeing Red (One) 

Mammoth HD is launching the MHD/Red Gallery with an online sneak peek preview reel and updated gallery Pages featuring frame grabs from footage produced with the Red Digital Cinema Red One camera. ...

Products: Panasonic  

By Dan Ochiva

If you're one of those facilities that rely on Panasonic's D-5 HD VTR for mastering, you might be interested in the company's recently announced AJ-HDP2000...

Beta Sight: Iconix HD-RH1  

By Bert Dunk, ASC, CSC

I've been working in Hollywood as a cinematographer since the early 1990s, serving as DP on such films as Rich Men, Single Women (1990), Flashfire (1993), and The Inspectors (1998), as well as numerous other projects for television. In 2000, I worked with Director Robert Wise on A Storm in Summer, based on Rod Serling's 1970 teleplay, and in 2002, I shot the crime drama Street Time, for which I was nominated for Best Cinematography in a TV Series by the Canadian Society of Cinematographers...

Fade to Black: Julian Schnabel, Director 

By Darroch Greer

Jean-dominique Bauby, the Editor of French Elle, had a Massive Stroke in 1995 that left him completely and permanently paralyzed...

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