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MillimeterHDNet Photo Gallery
Aug 21, 2002 12:00 PM, Cody Holt, Photos by Tony Donaldson
 Edit Three inside HDNet’s Denver broadcast center is where most of the station’s nonlinear online and off-line editing is done. The room consists of two Apple Final Cut Pro systems running on Pinnacle’s CineWave HD board. Photo by Cody Holt. |
 In the basement of HDNet’s Denver facility, Alan Burnham performs regular maintenance on the station’s 16 high-def Sony cameras, including this HDW-700 portable camcorder. Photo by Cody Holt. |
Glenn Moore, tech manager of HDNet’s broadcast center,
monitors a live broadcast of a Major League Baseball game with the help
of a Sencore server running EVS playlist software. Photo by Cody
Holt.
Charles Minow, an Avid editor who uses Apple Final Cut Pro running
on Pinnacle’s CineWave HD board to edit high-def programs for
HDNet, builds an off-line edit of the regularly appearing HDNet
World Report. Photo by Cody Holt.
Although HDNet’s two mobile trucks may stay of the road for
weeks at a time capturing live sporting events, routine maintenance
stops are scheduled at the Denver broadcast center, a converted airport
that includes several hangars. Photo by Cody Holt.
The replay area of the production room on one of HDNet's two specially configured mobile trucks--HD2--just prior to a baseball telecast from Dodger Stadium earlier this summer. Photo by Tony Donaldson.
www.tdphoto.com
Mobile unit, HD2, including its satellite dish, ready for action in
the parking lot at Dodger Stadium during a baseball telecast. Photo by
Tony Donaldson. www.tdphoto.com
Video engineer Carlos Lopez performs color correction, mainly adjusting to improve focus, in HD2 during the Dodgers-Blue Jays broadcast. Photo by Tony Donaldson.
www.tdphoto.com
Camera operator at one of the events broadcast by HDNet. Photo
courtesy of HDNet.
Control area in one of HDNet's remote trucks. Photo courtesy of
HDNet.
